Born, 1959, Poland Lives and works in New York

EDUCATION

M.F.A., Hunter College, New York, NY, May 1989. Ph.D. program at the Institute for General Linguistics and Computational Linguistics, University of Stockholm, Stockholm, Sweden, Sept. 84 - May 87. M.A. in Scandinavian Languages and Culture, University of Gdansk, Poland and University of Stockholm, Sweden, May 84.

SELECTED EXHIBITIONS 2001

3 seconds in the memory of the internet and netomatheque, Postmasters Gallery, New York EVO 1, curated by Christiane Paul, Gallery L, Moscoww, Russia net.ephemera, Curated by Mark Tribe, Moving Image Gallery, New York Game Show, Mass MOCA, North Adams, MA Data Dynamics, Curated by Christiane Paul, The Whitney Museum of American Art, New York Telematic Connections; the Virtual Embrace, Curated by Steve Deitz, ICI traveling exhibition, San Francisco Art Institute, San Francisco, Alyce de Roulet Williamson Gallery, Art Center Collage of Design, Pasadena, CA, Austin Museum of Art, Austin, TX (all 2001), Atlanta College of Art and Design, Atlanta GA (2002), Oklahoma City Art Museum, Oklahoma City, OK (2002) 2000 net_condition; art nad global media, ZKM Center for Art and Media , Karlsruhe, Germany 1999 Digital Documentary; Curated by Steve Dietz. www.partsphoto.org/digidoc/dataintro.html netomat, Postmasters Gallery, New York Net.works Three; Curated by Thompson-Craighead New Media Centre at the Institute of Contemporary Arts, London, UK in partnership with Sun Microsystems www.newmediacentre.com/networks/3/ 1998 Speaking Digital: The Space Between speaking digital series,Guggenheim Museum/Soho, New York www.guggenheim.org/soho/programs/speaking_digital/space_betw Net.works One; Curated by Benjamin Weil, New Media Centre at the Institute of Contemporary Arts, London, UK. www.newmediacentre.com/networks/1/ The Shock of the View, Walker Art Center, Minneapolis, MN organized by the Walker Art Center with the Davis Museum and Cultural Center, Wellesley College, San Jose Museum of Art, the Wexner Center for the Arts, Ohio State University, and Rhizome. www.walkerart.org/salons/shockoftheview/space/index.html ScanLink Omnizone; curated by Yu Yeon Kim and Stephen Pusey. www.plexus.org Turnstile II stadium/DIA: www.stadiumweb.com/turnstile/turnstile_part2.html Turnstile Part I Silverstein Gallery, New York, NY stadium: www.stadiumweb.com/turnstile/turnstile_part1.html Rhizome http://www.rhizome.org/splash/maciej_splash/ 1997 Jackpot, Johannesburg Biennale, Johannesburg, South Africa. Jackpot, ada'web, http://adaweb.com/context/jackpot. 1996 Good Luck, Postmasters Gallery, New York, NY. 1996 Tele-Touch, "Walk on the Soho Side", curator Marc Pottier, New York, NY. Tele-Touch, Postmasters Gallery, The Gramercy International Contemporary Art Fair, New York, NY. Tele-Touch, ada'web, http://adaweb.com. 1995 Travelers Guide, Max Fish, New York, NY and the WWW. Four Rooms, Ronald Feldman Gallery, New York, NY. 1993 The Joke Show, Four Walls, Brooklyn, NY. 1992 Toll Free, curator, Stadtlengsfeld Castle, Germany. 1989 The International Project, Caja Rural de Toledo, Toledo, Spain, Novart Gallery, Madrid, Spain, Thomas Hunter Gallery, New York, NY, MFA exhibition, Ruine Gallery, Geneva, Switzerland, Embargo Gallery, Stockholm, Sweden.

SELECTED BIBLIOGRAPHY

Mark Stevens, ³Geek Art,² New York Magazine, April 2, 2001 Cristine Wang, ³Digital Art Takes a Giant Leap.....,² NY Arts Magazine, April 2001 Michael Kimmelman, ³Creativity, Digitally Remastered,² The New York Times, March 23, 2001 Matthew Mirapaul, ³Arts Online: Ok, It¹s Art. But Do you view it at Home or in Public?², The New York Times, March 19, 2001. A.S. ³Future Perfect: Netomat Browser,² URB Magazine, March 2001 Peter Weibel and Timothy Druckrey (editors), ³net_condition; art and global media, ZKM Center for Art and Media, Karlsruhe and MIT Press, 2000 Jeff Howe, ³Artistic Licence; Creating a Space for Net Art,² The Village Voice, July 13, 1999 Reena Jana, ³Netomat: The Non-Linear Browser, Wired News, June 30, 1999 Martin Stone, ³Digital Artist Designs Alternative Browser,² Newsbytes News Network /newsbytes.com, June 25, 1999 Matthew Mirapaul, ³No Clicking Allowed in Artist¹s Browser,² Arts at Large, The New York Times on the Web/Cybertimes, June 24, 1999 Tilman Baumgärtel, Die New York School der Programmiere www.heise.de/tp/deutsch/inhalt/sa/3341/1.html Ron Wakkary, Vexations and Doom: Serious Mobility. Maciej Wisniewski: Turnstile. stadiumweb.com/turnstile/turnstile_info.html Jon Ippolito, Speaking Digital: Maciej Wisniewski, The Space Between www.guggenheim.org/soho/programs/speaking_digital/wisniewski.html Robbin Murphy, Everything in the World We Need. www.walkerart.org/salons/shockoftheview/space/index.html Sheldon Brown, The proliferation of media technologies... www.walkerart.org/salons/shockoftheview/space/index.html Ken Goldberg www.walkerart.o rg/salons/shockoftheview/space/index.html Paul Brown, Greg Lynn & Maciej Wisniewski www.walkerart.org/salons/shockoftheview/space/index.html Diane Mullin, Grids www.walkerart.org/salons/shockoftheview/space/index.html Peter Hall, Jackpot, I.D. May, 1998 Hans Dieter Huber Browser, Buffer, and Bitslag. Kunstgeschichte im Internet, September 1997. Art Quote, Village Voice, May 1995. Kein Unterschied zu Kassel..., Südthüringer Zeitung, August 1992. Kunst-Zauber über Stadtlengsfeld, Freies Wort, August 1992. Ralph Pasch, Kunst nicht in New York sondern in Stadtlengsfeld, Südthüringer Zeitung, August 1992. Susanne Möller, Porzellan-Tor zum Osten, Freies Wort, August 1992. Critica de Arte, October 1989. Tiempo, September 1989. Javier Rubio, Madrid escaparate del arte internacional, ABC de las Artes, September 1989. Gunnel Svenningson, Galleri som Konst, Dagens Nyheter, Runt Stan, 1989. Cecilia Stam, Kontinental konstatmosfär, Svenska Dagbladet, August 1988.